Eleanor Fortescue Brickdale, The Uninvited Guest
Rita Angus: Cass, oil on canvas on board, 1936 (Collection Christchurch Art Gallery Te Puna o Waiwhetu, purchased 1955); image courtesy of the Rita Angus estate/Christchurch Art Gallery Te Puna o Waiwhetu
(b Hastings, 12 March 1908; d Wellington, 26 Jan 1970
New Zealand painter. Angus studied at the Canterbury School of Art, Christchurch (1927–33). In 1930 she married the artist Alfred Cook (1907–70) and used the signature Rita Cook until 1946; they had separated in 1934. Her painting Cass (1936; Christchurch, NZ, A.G.) is representative of the regionalist school that emerged in Canterbury during the late 1920s, with the small railway station visualizing both the isolation and the sense of human progress in rural New Zealand. The impact of North American Regionalism is evident in Angus’s work of the 1930s and 1940s. However, Angus was a highly personal painter, not easily affiliated to specific movements or styles. Her style involved a simplified but fastidious rendering of form, with firm contours and seamless tonal gradations (e.g. Central Otago). Her paintings were invested with symbolic overtones, often enigmatic and individual in nature.
Istvan Ilosvai Varga (1895-1978)
Woman Painter
1934
Oil on canvas, 75 x 60 cm
Ferenczy Museum, Szentendre
I considered making an album for Estern European artists on my facebook page but Ras Marley from flickr is doing such a good job of it that I would be just replicating him.
In the Woods at Giverny, Blanche Hoschedé at Her Easel with Suzanne Hoschedé Reading, 1887, Claude Monet.
Félix Edouard Vallotton, Femme assise dans un fauteuil
GPOY I’M GLAD MONDAY IS ALMOST OVER
Julia Gukova. Illustration from The Legendary Unicorn, 2004
Wingate Paine
6in:
Ushio Amagatsu
Eleanor Fortescue Brickdale, The Uninvited Guest