May 5, 2012
cavesoflilith:


As seen on Facebook. (posted by Homestead Survival)
A sweet lesson on patience. A NYC Taxi driver wrote:I arrived at the address and honked the horn. After waiting a few minutes I honked again. Since this was going to be my last ride of my shift I thought about just driving away, but instead I put the car in park and walked up to the door and knocked.. ‘Just a minute’, answered a frail, elderly voice. I could hear something being dragged across the floor.After a long pause, the door opened. A small woman in her 90’s stood before me. She was wearing a print dress and a pillbox hat with a veil pinned on it, like somebody out of a 1940’s movie.By her side was a small nylon suitcase. The apartment looked as if no one had lived in it for years. All the furniture was covered with sheets.There were no clocks on the walls, no knickknacks or utensils on the counters. In the corner was a cardboardbox filled with photos and glassware.‘Would you carry my bag out to the car?’ she said. I took the suitcase to the cab, then returned to assist the woman.She took my arm and we walked slowly toward the curb.She kept thanking me for my kindness. ‘It’s nothing’, I told her.. ‘I just try to treat my passengers the way I would want my mother to be treated.’‘Oh, you’re such a good boy, she said. When we got in the cab, she gave me an address and then asked, ‘Could you drivethrough downtown?’‘It’s not the shortest way,’ I answered quickly..‘Oh, I don’t mind,’ she said. ‘I’m in no hurry. I’m on my way to a hospice.I looked in the rear-view mirror. Her eyes were glistening. ‘I don’t have any family left,’ she continued in a soft voice..’The doctor says I don’t have very long.’ I quietly reached over and shut off the meter.‘What route would you like me to take?’ I asked.For the next two hours, we drove through the city. She showed me the building where she had once worked as an elevator operator.We drove through the neighborhood where she and her husband had lived when they were newlyweds She had me pull up in front of a furniture warehouse that had once been a ballroom where she had gone dancing as a girl.Sometimes she’d ask me to slow in front of a particular building or corner and would sit staring into the darkness, saying nothing.As the first hint of sun was creasing the horizon, she suddenly said, ‘I’m tired.Let’s go now’.We drove in silence to the address she had given me. It was a low building, like a small convalescent home, with a driveway that passed under a portico.Two orderlies came out to the cab as soon as we pulled up. They were solicitous and intent, watching her every move.They must have been expecting her.I opened the trunk and took the small suitcase to the door. The woman was already seated in a wheelchair.‘How much do I owe you?’ She asked, reaching into her purse.‘Nothing,’ I said‘You have to make a living,’ she answered.‘There are other passengers,’ I responded.Almost without thinking, I bent and gave her a hug.She held onto me tightly.‘You gave an old woman a little moment of joy,’ she said. ‘Thank you.’I squeezed her hand, and then walked into the dim morning light.. Behind me, a door shut.It was the sound of the closing of a life..I didn’t pick up any more passengers that shift. I drove aimlessly lost in thought. For the rest of that day,I could hardly talk.What if that woman had gotten an angry driver,or one who was impatient to end his shift? What if I had refused to take the run, or had honked once, then driven away?On a quick review, I don’t think that I have done anything more important in my life.We’re conditioned to think that our lives revolve around great moments.But great moments often catch us unaware-beautifully wrapped in what others may consider a small one.

so perfect..

cavesoflilith:

As seen on Facebook. (posted by Homestead Survival)

A sweet lesson on patience. 

A NYC Taxi driver wrote:

I arrived at the address and honked the horn. After waiting a few minutes I honked again. Since this was going to be my last ride of my shift I thought about just driving away, but instead I put the car in park and walked up to the door and knocked.. ‘Just a minute’, answered a frail, elderly voice. I could hear something being dragged across the floor.

After a long pause, the door opened. A small woman in her 90’s stood before me. She was wearing a print dress and a pillbox hat with a veil pinned on it, like somebody out of a 1940’s movie.

By her side was a small nylon suitcase. The apartment looked as if no one had lived in it for years. All the furniture was covered with sheets.

There were no clocks on the walls, no knickknacks or utensils on the counters. In the corner was a cardboard
box filled with photos and glassware.

‘Would you carry my bag out to the car?’ she said. I took the suitcase to the cab, then returned to assist the woman.

She took my arm and we walked slowly toward the curb.

She kept thanking me for my kindness. ‘It’s nothing’, I told her.. ‘I just try to treat my passengers the way I would want my mother to be treated.’

‘Oh, you’re such a good boy, she said. When we got in the cab, she gave me an address and then asked, ‘Could you drive
through downtown?’

‘It’s not the shortest way,’ I answered quickly..

‘Oh, I don’t mind,’ she said. ‘I’m in no hurry. I’m on my way to a hospice.

I looked in the rear-view mirror. Her eyes were glistening. ‘I don’t have any family left,’ she continued in a soft voice..’The doctor says I don’t have very long.’ I quietly reached over and shut off the meter.

‘What route would you like me to take?’ I asked.

For the next two hours, we drove through the city. She showed me the building where she had once worked as an elevator operator.

We drove through the neighborhood where she and her husband had lived when they were newlyweds She had me pull up in front of a furniture warehouse that had once been a ballroom where she had gone dancing as a girl.

Sometimes she’d ask me to slow in front of a particular building or corner and would sit staring into the darkness, saying nothing.

As the first hint of sun was creasing the horizon, she suddenly said, ‘I’m tired.Let’s go now’.
We drove in silence to the address she had given me. It was a low building, like a small convalescent home, with a driveway that passed under a portico.

Two orderlies came out to the cab as soon as we pulled up. They were solicitous and intent, watching her every move.
They must have been expecting her.

I opened the trunk and took the small suitcase to the door. The woman was already seated in a wheelchair.

‘How much do I owe you?’ She asked, reaching into her purse.

‘Nothing,’ I said

‘You have to make a living,’ she answered.

‘There are other passengers,’ I responded.

Almost without thinking, I bent and gave her a hug.She held onto me tightly.

‘You gave an old woman a little moment of joy,’ she said. ‘Thank you.’

I squeezed her hand, and then walked into the dim morning light.. Behind me, a door shut.It was the sound of the closing of a life..

I didn’t pick up any more passengers that shift. I drove aimlessly lost in thought. For the rest of that day,I could hardly talk.What if that woman had gotten an angry driver,or one who was impatient to end his shift? What if I had refused to take the run, or had honked once, then driven away?

On a quick review, I don’t think that I have done anything more important in my life.

We’re conditioned to think that our lives revolve around great moments.

But great moments often catch us unaware-beautifully wrapped in what others may consider a small one.

so perfect..

(Source: mishalmoorebloggyblog)

April 25, 2012
Musing of an Orthodox Brit.: Reading Bar Saliba's 'Against the Melchites.'

orthodoxbrit:

His discussion on the sign of the cross is fascinating. As many may know, the Oriental Orthodox traditionally make the sign of the cross from left to right, as is also the practice of Rome, rather than right to left.

Bar Salibi, a 12th Century Assyrian writer, discourses with a young Assyrian who…

January 11, 2012

happyphantom:

Some of the bizarre details in: The Garden of Earthly Delights (1490-1510), Hieronymus Bosch. Oil-on-wood triptych, 220 x 389 cm, Museo del Prado.

The source/meaning of many of the beings and images portrayed by Bosch are rather obscure and rarely seen in the paintings of his contemporaries. Many believe that Bosch was a reclusive madman who conceived of such beings himself, while others, including myself, are of the opinion that Bosch merely applied to painting figures that for the age were common-place in other media, but not painting, and that we have lost most of the sources which might have inspired Bosch’s beings (The study of demonology), although there might be a few that we are aware of. One such supposed inspiration was the St. John’s Cathedral in ‘s-Hertogenbosch, Bosch’s home town (and after which he took his name), specifically the gargoyles and figures adorning its buttresses. Something else that Bosch might have drawn inspiration from is marginalia from manuscripts-small doodles done on the margins of pages, as such

9:20pm  |   URL: http://tmblr.co/ZshkRyEcTRE_
  
Filed under: bosch renaissance text 1510 
December 27, 2011
"

“God from afar looks graciously upon a gentle master.” (in reference to a teacher?)

Aescyhlus. Agamemnon.

"

http://www.nybooks.com/articles/archives/2012/jan/12/do-classics-have-future/?utm_medium=email&utm_campaign=January+12+2012+issue&utm_content=January+12+2012+issue+CID_a8fc8c8b6aa59f1908ad21d711f2ef76&utm_source=Email+marketing+software&utm_term=Do+the+Classics+Have+a+Future

December 25, 2011
loquaciousconnoisseur:

Édouard Manet
Portrait of Victorine Meurent (1862)
Victorine Louise Meurent (February 18, 1844 – March 17, 1927) was a French painter and a famous model for painters. Although she is now best known as the favourite model of Édouard Manet (her name remains forever associated with Manet’s masterpieces, The Luncheon on the Grass and Olympia, which include nude portrayals of her), she also was an artist in her own right, who exhibited repeatedly at the prestigious Paris Salon. In 1876 her paintings were selected for inclusion at the Salon’s juried exhibition, when Manet’s work was not.

loquaciousconnoisseur:

Édouard Manet

Portrait of Victorine Meurent (1862)

Victorine Louise Meurent (February 18, 1844 – March 17, 1927) was a French painter and a famous model for painters. Although she is now best known as the favourite model of Édouard Manet (her name remains forever associated with Manet’s masterpieces, The Luncheon on the Grass and Olympia, which include nude portrayals of her), she also was an artist in her own right, who exhibited repeatedly at the prestigious Paris Salon. In 1876 her paintings were selected for inclusion at the Salon’s juried exhibition, when Manet’s work was not.

December 14, 2011
verbalresistance:

mehreenkasana:

Revealed: US spy operation that manipulates social media  
Military’s ‘sock puppet’ software creates fake online identities to spread pro-American propaganda.
The US military is developing software that will let it secretly manipulate social media sites by using fake online personas to influence internet conversations and spread pro-American propaganda.
A Californian corporation has been awarded a contract with United States Central Command (Centcom), which oversees US armed operations in the Middle East and Central Asia, to develop what is described as an “online persona management service” that will allow one US serviceman or woman to control up to 10 separate identities based all over the world.
The project has been likened by web experts to China’s attempts to control and restrict free speech on the internet. Critics are likely to complain that it will allow the US military to create a false consensus in online conversations, crowd out unwelcome opinions and smother commentaries or reports that do not correspond with its own objectives.
The discovery that the US military is developing false online personalities – known to users of social media as “sock puppets” – could also encourage other governments, private companies and non-government organisations to do the same.
The Centcom contract stipulates that each fake online persona must have a convincing background, history and supporting details, and that up to 50 US-based controllers should be able to operate false identities from their workstations “without fear of being discovered by sophisticated adversaries” …
(continued)

Raise your hands if you’re surprised. That’s right. I see no hands.

News from back at the beginning of this year, but it’s important you all know, especially those who might not have heard about it since then; that there in itself would be proof, of how more ‘murky’ exploits by the US government, can pass by unaccounted/unchallenged - with little coverage from institution media…

verbalresistance:

mehreenkasana:

Revealed: US spy operation that manipulates social media

Military’s ‘sock puppet’ software creates fake online identities to spread pro-American propaganda.

The US military is developing software that will let it secretly manipulate social media sites by using fake online personas to influence internet conversations and spread pro-American propaganda.

A Californian corporation has been awarded a contract with United States Central Command (Centcom), which oversees US armed operations in the Middle East and Central Asia, to develop what is described as an “online persona management service” that will allow one US serviceman or woman to control up to 10 separate identities based all over the world.

The project has been likened by web experts to China’s attempts to control and restrict free speech on the internet. Critics are likely to complain that it will allow the US military to create a false consensus in online conversations, crowd out unwelcome opinions and smother commentaries or reports that do not correspond with its own objectives.

The discovery that the US military is developing false online personalities – known to users of social media as “sock puppets” – could also encourage other governments, private companies and non-government organisations to do the same.

The Centcom contract stipulates that each fake online persona must have a convincing background, history and supporting details, and that up to 50 US-based controllers should be able to operate false identities from their workstations “without fear of being discovered by sophisticated adversaries” …

(continued)

Raise your hands if you’re surprised. That’s right. I see no hands.

News from back at the beginning of this year, but it’s important you all know, especially those who might not have heard about it since then; that there in itself would be proof, of how more ‘murky’ exploits by the US government, can pass by unaccounted/unchallenged - with little coverage from institution media…

5:38am  |   URL: http://tmblr.co/ZshkRyDECSLp
  
Filed under: text politics internet news 2011 
December 14, 2011
The Washington Post: SOPA visual petition riles up the ‘geek lobby’

(Source: staff)

December 13, 2011
2headedsnake:

cargocollective.com
Nate James

What is the reference?

2headedsnake:

cargocollective.com

Nate James

What is the reference?

December 13, 2011
thedailywhat:

This x That:
Know This:
Canada announces plans to withdraw from Kyoto Protocol, becoming first nation to do so; decision may be tied to “booming oil sands sector.”
NATO sets December 31st as end date for training mission in Iraq.
Newt Gingrich, who reportedly cheated on his first two wives, signs the Family Leader’s controversial fidelity pledge. 
Rick Perry’s latest gaffe: Mispronounces “Solyndra,” calls it a “country.”
Read This:
Lawmaker furious at Lowe’s for pulling ads from All-American Muslim; company kinda-sorta apologizes, but won’t reinstate ads; Russell Simmons buys All-American Muslim spots, tells Lowe’s to keep its money.
New Jersey Nets owner Mikhail Prokhorov and former Russian finance minister Alexei Kudrin vie for support of anti-Putin protesters.
North Korea threatens South with “unexpected consequences” over Christmas lights display near border.
Latest Chris Paul trade deal falls apart.
James Sallis has written a sequel to Drive.
James Franco reviewed Breaking Dawn for The Paris Review.
The Other:
NewsFeed: Recep Tayyip Erdogan: People’s Choice for TIME’s 2011 Person of the Year.
Tea x Time List: Pitchfork’s Top 100 Tracks of 2011.
Above: From Kelly McCollam’s Salt of the Earth: Van Gogh’s Starry Night recreated with spices and food coloring.

thedailywhat:

This x That:

Know This:

Read This:

The Other:

5:56am  |   URL: http://tmblr.co/ZshkRyDBM83j
  
Filed under: text news contemporary 2011 
December 9, 2011
loquaciousconnoisseur:

Édouard Manet
Sur la plage (1873) - Musée d’Orsay, Paris
Portrait of Suzanne Leenhoff and Eugène Manet
Suzanne Leenhoff joined the Manet household as a piano instructor to the painter’s brother, Eugène. Leenhoff was a Dutch-born piano teacher of Édouard’s age with whom he had been romantically involved for approximately ten years. She also may have been Manet’s father mistress. In 1852, Leenhoff gave birth, out of wedlock, to a son, Léon Koella Leenhoff, whose father may have been either of the Manets. After the death of his father in 1862, Édouard married Suzanne in 1863.

loquaciousconnoisseur:

Édouard Manet

Sur la plage (1873) - Musée d’Orsay, Paris

Portrait of Suzanne Leenhoff and Eugène Manet

Suzanne Leenhoff joined the Manet household as a piano instructor to the painter’s brother, Eugène. Leenhoff was a Dutch-born piano teacher of Édouard’s age with whom he had been romantically involved for approximately ten years. She also may have been Manet’s father mistress. In 1852, Leenhoff gave birth, out of wedlock, to a son, Léon Koella Leenhoff, whose father may have been either of the Manets. After the death of his father in 1862, Édouard married Suzanne in 1863.

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