February 27, 2012

thestuartkings:

The Princess Elizabeth of England and Scotland (28 December 1635–8 September 1650) was the second daughter of King Charles I of England and Henrietta Maria of France. From the age of six until her early death at the age of fourteen she was a prisoner of Parliament during the English Civil War. Her emotional written account of her final meeting with her father on the eve of his execution and his final words to his children have been published in numerous histories.  

On the outbreak of the English Civil War in 1642, Princess Elizabeth, along with her brother Henry Duke of Gloucester, were placed under the care of Parliament. In 1643, the seven-year-old Elizabeth was moved to Chelsea with her brother. She was tutored by the great female scholar Bathsua Makin until 1644, by which time she could read and write in HebrewGreekItalianLatin and French. Other prominent scholars dedicated works to her, and were amazed by her flair for religious reading.  In 1647, Elizabeth, James Duke of York and the Duke of Gloucester were permitted to travel to Maidenhead to meet the King, and spent two days with him. A relationship was established. This came to an end when the king was forced to flee to Carisbrooke Castle on the Isle of Wight.

Elizabeth was called “Temperance” in the family for her kind nature. The turmoil under which she had grown up had produced a young woman of unusual character. When she was eleven, the French ambassador described the princess as a “budding young beauty” who had “grace, dignity, intelligence and sensibility” that enabled her to judge the different people she met and understand different points of view.

The king was captured and sentenced to death by Oliver Cromwell and the other judges in 1649. On 29 January a highly emotional final meeting occurred between Elizabeth, the Duke of Gloucester and her father. Elizabeth, who was then thirteen, while her younger brother was eight years old, wrote an account of the meeting that was found among her possessions after her death: “He told me he was glad I was come, and although he had not time to say much, yet somewhat he had to say to me which he had not to another, or leave in writing, because he feared their cruelty was such as that they would not have permitted him to write to me.” Elizabeth was crying so hard that her father asked her if she would be able to remember everything he told her. She promised never to forget and said she would record it in writing. Her father told his sobbing daughter not to “grieve and torment herself for him”. He also gave her a bible.

In 1650, Elizabeth’s brother, the now titular Charles II journeyed to Scotland to be crowned king of that country. Elizabeth was moved to the Isle of Wight as a hostage. This move was probably the cause of her death. The Princess complained that her health was not equal to moving, but it went ahead anyway; she caught a cold, which quickly developed into pneumonia, and died on 8 September 1650. Some accounts say that Elizabeth was found dead with her head on the Bible her father had given her. 

Her grave was left unmarked, with the exception of her carved initials, until the 19th century when Queen Victoria commanded that a suitable monument be erected to her memory. A white marble sculpture was commissioned for her grave that depicted Elizabeth as a beautiful young woman, lying with her cheek on a Bible open to words from Gospel of Matthew: “Come unto Me, all ye that labor and are heavy laden, and I will give you rest.” Above the sculpture is a grating, indicating that she was a prisoner, but the bars are broken to show that the prisoner has now escaped to “a greater rest” The plaque reads: “To the memory of The Princess Elizabeth, daughter of King Charles I, who died at Carisbrooke Castle on September 8, 1630, and is interred beneath the chancel of this church, this monument is erected as a token of respect for her virtues and of sympathy for her misfortunes, by Victoria R., 1856.”

(via centuriespast)

January 21, 2012
fleshandthedevil:

“Lovers”     “ Herodias’  Revenge (1496)  ”   by  Juan de Flandes

Herodias was Salome’s Mother  
This painting is a wonderful representation of the wonderful  Expression: “Revenge is a Dish Best Served Cold.” 

Courtesy of    Art-And-Dream

fleshandthedevil:

“Lovers”     Herodias’  Revenge (1496)  ”   by  Juan de Flandes

Herodias was Salome’s Mother 

This painting is a wonderful representation of the wonderful  Expression: “Revenge is a Dish Best Served Cold.”

Courtesy of   Art-And-Dream

November 23, 2011
New Wonder Woman of the New 52

New Wonder Woman of the New 52

November 7, 2011
Charles-August Mengin, Sappho, 1877

Charles-August Mengin (1853-1933) was a French academic painter and was one of those artists who is remembered for a single painting, his Sappho, now in Manchester Art Gallery.

Charles-August Mengin, Sappho, 1877

Charles-August Mengin (1853-1933) was a French academic painter and was one of those artists who is remembered for a single painting, his Sappho, now in Manchester Art Gallery.

September 30, 2011
necspenecmetu:

Ottavio Vannini, Jael and Sisera, early 1640s 

necspenecmetu:

Ottavio Vannini, Jael and Sisera, early 1640s 

September 2, 2011
zombieunderdog:

Chicks with Guns
Lindsay McCrum

zombieunderdog:

Chicks with Guns

Lindsay McCrum

August 8, 2011
mermanonfire:

showroomeyes:

riverbones:

‘Artemis’ by Jorge Apperley













(via sealmaiden)

mermanonfire:

showroomeyes:

riverbones:

‘Artemis’ by Jorge Apperley

(via sealmaiden)

July 5, 2011
centuriespast:

 
Diana and Actaeon
After Carlo MarattiPrint made by John Simon (also publisher)Date1690-1751 (circa)
British Museum

centuriespast:

Diana and Actaeon

After Carlo Maratti
Print made by John Simon (also publisher)
Date
1690-1751 (circa)

British Museum

(via misogra)

March 12, 2011
Giovanni Pietro Rizzoli (Called Il Giampietrino) (Italian, b. Active 1495-1540) Lucrezia Romana, ca. 1510-1525 Oil on panel, 37-3/4 x 28-1/2 in

Giovanni Pietro Rizzoli (Called Il Giampietrino) (Italian, b. Active 1495-1540) 
Lucrezia Romana, ca. 1510-1525 
Oil on panel, 37-3/4 x 28-1/2 in

March 10, 2011
centuriespast:

The Feast of HerodArtist: Lucas Cranach the Elder (German, 1472-1553)
Oil on panel: 32 x 47 1/8 in.1531
Wadsworth Atheneum

centuriespast:

The Feast of Herod
Artist: Lucas Cranach the Elder 
(German, 1472-1553)

Oil on panel: 32 x 47 1/8 in.
1531

Wadsworth Atheneum

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