February 25, 2012
A splashy comeback for artist John Edward Svenson’s sculpture

A splashy comeback for artist John Edward Svenson’s sculpture

February 20, 2012

philamuseum:

Happy Birthday Constantin Brancusi, born this day in 1876.

Here, a sampling of our vast Brancusi collection

Top row:

Bird in Space, 1924
Polished bronze; black marble base
© Artists Rights Society (ARS), New York / ADAGP, Paris
The Louise and Walter Arensberg Collection, 1950

Mademoiselle Pogany [I], 1912
White marble; limestone block
© Artists Rights Society (ARS), New York / ADAGP, Paris
Gift of Mrs. Rodolphe Meyer de Schauensee, 1933

Bottom row:

White Negress [I], 1923
Veined marble; marble two-part base
© Artists Rights Society (ARS), New York / ADAGP, Paris
The Louise and Walter Arensberg Collection, 1950

The Kiss, 1916
Limestone
© Artists Rights Society (ARS), New York / ADAGP, Paris
The Louise and Walter Arensberg Collection, 1950

(via cavetocanvas)

February 17, 2012
Colegio San Gregorio. Museo Nacional de Escultura. Valladolid

Santo Entierro (hacia 1540)Juan de Juni (1507-1577)Madera policromadaConvento de San Francisco, Valladolid. Desamortización.



The famous preacher and writer Antonio de Guevara, director of Charles V, commissioned this work to his grave. The undulating rhythm of their moral antithesis and disappointment over your life that seem to translate into prose the tension developed Mannerist Juni: “My life is not live, but a long dying, my pleasures were pleasures, but a alegrones I bitter and I played, my youth was not young, but I dreamed a dream and I do not know what I saw. Finally, I say that my prosperitywas not prosperity, but a pen and treasure lure of alchemy ”(1539).

Colegio San Gregorio. Museo Nacional de Escultura. Valladolid

Santo Entierro (hacia 1540)
Juan de Juni (1507-1577)
Madera policromada
Convento de San Francisco, Valladolid. Desamortización.

The famous preacher and writer Antonio de Guevara, director of Charles V, commissioned this work to his grave. The undulating rhythm of their moral antithesis and disappointment over your life that seem to translate into prose the tension developed Mannerist Juni: “My life is not live, but a long dying, my pleasures were pleasures, but a alegrones I bitter and I played, my youth was not young, but I dreamed a dream and I do not know what I saw. Finally, I say that my prosperitywas not prosperity, but a pen and treasure lure of alchemy (1539).

January 31, 2012
This picture is making the rounds in tumblr. Does anyone know who it is by, the date and other useful info?

This picture is making the rounds in tumblr. Does anyone know who it is by, the date and other useful info?

January 15, 2012
this is probably Puget but I can’t figure out which work it is.

this is probably Puget but I can’t figure out which work it is.

(Source: funeral-wreaths, via imbrogliorosso)

December 18, 2011
The muse Polyhymnia, by Philiscus of Rhodes, 3rd century B.C. In Greek mythology, the nine Muses were the patron-goddesses of the arts. They were believed to be the daughters of Zeus and Mnemosyne, a Titan who personified memory. During the Hellenistic period, the island of Rhodes was the home of a highly developed school of sculpture founded by Lysippus, sculptor to the court of Alexander the Great. His school continued to flourish well into the period of the Roman Empire.

The muse Polyhymnia, by Philiscus of Rhodes, 3rd century B.C. In Greek mythology, the nine Muses were the patron-goddesses of the arts. They were believed to be the daughters of Zeus and Mnemosyne, a Titan who personified memory. During the Hellenistic period, the island of Rhodes was the home of a highly developed school of sculpture founded by Lysippus, sculptor to the court of Alexander the Great. His school continued to flourish well into the period of the Roman Empire.

December 15, 2011

alecshao:

Rodin’s The Gates of Hell (after Dante’s Inferno)

(via wine-loving-vagabond)

December 2, 2011
sugarmeows:

Reliquary bust of Saint Margaret of Antioch (1465–70) – attributed to Nicolaus Gerhaert von Leyden

sugarmeows:

Reliquary bust of Saint Margaret of Antioch (1465–70) – attributed to Nicolaus Gerhaert von Leyden

(via mermanonfire)

November 27, 2011
Gerog Raphael Donner
The statue was commissioned by Primate Count Imre Esterházy, Archbishop of Esztergom for the new Baroque High Altar of the Pozsony (Bratislava) Cathedral which was erected instead of the old Gothic altar. The statue was removed during the neo-Gothic restoration of the Cathedral in 1865, but since 1912 it was placed in the south nave of the Cathedral. Two statues of the Baroque altar representing angels, also by Donner, are in the Hungarian National Gallery, Budapest.
The young Saint Martin on the rearing horse is depicted in Hungarian national ceremonial dress, and he bears the features of the young Imre Esterházy.

Gerog Raphael Donner

The statue was commissioned by Primate Count Imre Esterházy, Archbishop of Esztergom for the new Baroque High Altar of the Pozsony (Bratislava) Cathedral which was erected instead of the old Gothic altar. The statue was removed during the neo-Gothic restoration of the Cathedral in 1865, but since 1912 it was placed in the south nave of the Cathedral. Two statues of the Baroque altar representing angels, also by Donner, are in the Hungarian National Gallery, Budapest.

The young Saint Martin on the rearing horse is depicted in Hungarian national ceremonial dress, and he bears the features of the young Imre Esterházy.

November 3, 2011
necspenecmetu:

Pio Fedi, The Rape of Polyxena, 1858-66

necspenecmetu:

Pio Fedi, The Rape of Polyxena, 1858-66

6:42am  |   URL: http://tmblr.co/ZshkRyBRU_wT
  
Filed under: pio fedi lost sculpture 1858 
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