April 30, 2012
Pastor Bonus from Ostia… Does anyone have any further information on this image?

Pastor Bonus from Ostia… Does anyone have any further information on this image?

January 25, 2012
copulationofash:

Eros in Pompeii.

copulationofash:

Eros in Pompeii.

(Source: , via funeral-wreaths)

September 8, 2011
The Sack of Rome by the Visigoths on 24 August 410 by J-N Sylvestre (1890)
Are there any contemporary representations of Alaric? If not, why not?

The Sack of Rome by the Visigoths on 24 August 410 by J-N Sylvestre (1890)

Are there any contemporary representations of Alaric? If not, why not?

June 15, 2011
Submerged by the sea eons ago, leaving fossils on the high plateau, the Kharga depression is hemmed in by giant cliffs and broken up by massifs, with belts of dunes advancing across the oasis. Southernmost of Egypt’s five oases, historically, Kharga’s importance was due to the desert trade routes that converged upon the oasis. In the case of Kharga, this is made particularly evident by the presence of a chain of fortresses that the Romans built to protect the Darb el-Arbain, the long caravan route running north-south between Middle Egypt and the Sudan. The forts vary for size and function, some being just small outposts, some guarding large settlements complete with cultivation. Some were installed where earlier settlements already existed, while others were probably founded anew. All of them are made of mud bricks, but some also contain small stone temples with inscribed walls. The capital, El Kharga is relatively unremarkable but it is the surrounding area that offers the most interest. Two of the oasis’ most evocative monuments lie just a few miles north of El Kharga. Although botched in a 20th century conservation fiasco, the 6th century Temple of Hibis dedicated to Amun-Re is one of the few Persian monuments left in Egypt. The rambling c. 4th century necropolis of al-Bagawat, which is built entirely of mud brick, is one of the oldest Christian cemeteries in Egypt. The 263 mud-brick chapels display diverse forms of mud-brick vaulting and faint murals. Just beyond here is an imposing ruined monastery – Deir el-Kashef.

Submerged by the sea eons ago, leaving fossils on the high plateau, the Kharga depression is hemmed in by giant cliffs and broken up by massifs, with belts of dunes advancing across the oasis. Southernmost of Egypt’s five oases, historically, Kharga’s importance was due to the desert trade routes that converged upon the oasis.

In the case of Kharga, this is made particularly evident by the presence of a chain of fortresses that the Romans built to protect the Darb el-Arbain, the long caravan route running north-south between Middle Egypt and the Sudan. The forts vary for size and function, some being just small outposts, some guarding large settlements complete with cultivation. Some were installed where earlier settlements already existed, while others were probably founded anew. All of them are made of mud bricks, but some also contain small stone temples with inscribed walls.

The capital, El Kharga is relatively unremarkable but it is the surrounding area that offers the most interest. Two of the oasis’ most evocative monuments lie just a few miles north of El Kharga. Although botched in a 20th century conservation fiasco, the 6th century Temple of Hibis dedicated to Amun-Re is one of the few Persian monuments left in Egypt. The rambling c. 4th century necropolis of al-Bagawat, which is built entirely of mud brick, is one of the oldest Christian cemeteries in Egypt. The 263 mud-brick chapels display diverse forms of mud-brick vaulting and faint murals. Just beyond here is an imposing ruined monastery – Deir el-Kashef.

8:09pm  |   URL: http://tmblr.co/ZshkRy66o9ti
  
Filed under: kharga antiquity egypt rome 
May 24, 2011
fuckyeahmyth:

Ares-Mars represents Tuesday in a mosaic depicting the seven days of the week. He sits on a throne, armed with shield, helm and spear, and is attended by his son Phobos (Fear), and the winged goddess Nike (Victory).
Floor Mosaic, ca 3rd AD, Villa at Orbe-Bosceaz, Orbe, Switzerland.

fuckyeahmyth:

Ares-Mars represents Tuesday in a mosaic depicting the seven days of the week. He sits on a throne, armed with shield, helm and spear, and is attended by his son Phobos (Fear), and the winged goddess Nike (Victory).

Floor Mosaic, ca 3rd AD, Villa at Orbe-Bosceaz, Orbe, Switzerland.

(Source: mythpictures)

May 12, 2011
“Asklepios was more closely associated with the serpent. The Hellenic religious spirit represented the god as a dignified human figure, very similar in type to Zeus, supporting his right hand on a staff round which a serpent is twined. His serpent nature clings to him, though only as an attribute and adjunct, in the fully Hellenised form. In the Anatolian ritual the god was the Asklepian serpent, rather than the human Asklepios. Thus in Figure 23 the Emperor Caracalla, during his visit to Pergamum, is represented as adoring the Pergamenian deity, a serpent wreathed round the sacred tree. Between the God-Serpent and the God-Emperor stands the little figure of Telesphorus, the Consummator, a peculiarly Pergamenian conception closely connected with Asklepios.”

“Asklepios was more closely associated with the serpent. The Hellenic religious spirit represented the god as a dignified human figure, very similar in type to Zeus, supporting his right hand on a staff round which a serpent is twined. His serpent nature clings to him, though only as an attribute and adjunct, in the fully Hellenised form. In the Anatolian ritual the god was the Asklepian serpent, rather than the human Asklepios. Thus in Figure 23 the Emperor Caracalla, during his visit to Pergamum, is represented as adoring the Pergamenian deity, a serpent wreathed round the sacred tree. Between the God-Serpent and the God-Emperor stands the little figure of Telesphorus, the Consummator, a peculiarly Pergamenian conception closely connected with Asklepios.”

6:33am  |   URL: http://tmblr.co/ZshkRy52UW-7
  
Filed under: mythology serpent rome greek 
April 26, 2011
Dancing Warriors, stone, late Republican period. (Vatican Museums, Rome):

Dancing Warriors, stone, late Republican period. (Vatican Museums, Rome):

April 26, 2011
Satyr and Maenad, terracotta, 17.5”h, Augustan period, c. 31 B.C. - 14 A.D.(Metropolitan Museum of Art, New York):

Satyr and Maenad, terracotta, 17.5”h, Augustan period, c. 31 B.C. - 14 A.D.
(Metropolitan Museum of Art, New York):

April 13, 2011
theancientworld:

Gold bracelet in form of serpent, found in Pompeii, worn on the upper arm

theancientworld:

Gold bracelet in form of serpent, found in Pompeii, worn on the upper arm

November 17, 2010

Italy - XVII century. The plague doctor used to wear a waxed coat, a sort of protective goggles and gloves, the beak of their masks contained aromatic substances. Rome, 1656.

Italy - XVII century. The plague doctor used to wear a waxed coat, a sort of protective goggles and gloves, the beak of their masks contained aromatic substances. Rome, 1656.

11:25pm  |   URL: http://tmblr.co/ZshkRy1VWWKn
  
Filed under: 1656 rome plague illustration 
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