April 29, 2012
ghostorballoon:

costume sketches for a court masque by Inigo Jones (1573-1652)

ghostorballoon:

costume sketches for a court masque by Inigo Jones (1573-1652)

(via centuriespast)

March 3, 2012
"While I thought that I was learning how to live, I have been learning how to die."

— Leonardo da Vinci (via missfolly)

February 20, 2012
speciesbarocus:



Bey Samuel Apiario - Pandora (1582).

speciesbarocus:

Bey Samuel Apiario - Pandora (1582).

February 18, 2012
Colegio San Gregorio. Museo Nacional de Escultura. Valladolid

Sillería de San Benito el Real (1525-1529)Andrés de Nájera (act. 1504-1533)Madera en su color y policromada.Monasterio San Benito el Real, Valladolid. Desamortización.

Colegio San Gregorio. Museo Nacional de Escultura. Valladolid

Sillería de San Benito el Real (1525-1529)
Andrés de Nájera (act. 1504-1533)
Madera en su color y policromada.
Monasterio San Benito el Real, Valladolid. Desamortización.

February 17, 2012
Colegio San Gregorio. Museo Nacional de Escultura. Valladolid

Santo Entierro (hacia 1540)Juan de Juni (1507-1577)Madera policromadaConvento de San Francisco, Valladolid. Desamortización.



The famous preacher and writer Antonio de Guevara, director of Charles V, commissioned this work to his grave. The undulating rhythm of their moral antithesis and disappointment over your life that seem to translate into prose the tension developed Mannerist Juni: “My life is not live, but a long dying, my pleasures were pleasures, but a alegrones I bitter and I played, my youth was not young, but I dreamed a dream and I do not know what I saw. Finally, I say that my prosperitywas not prosperity, but a pen and treasure lure of alchemy ”(1539).

Colegio San Gregorio. Museo Nacional de Escultura. Valladolid

Santo Entierro (hacia 1540)
Juan de Juni (1507-1577)
Madera policromada
Convento de San Francisco, Valladolid. Desamortización.

The famous preacher and writer Antonio de Guevara, director of Charles V, commissioned this work to his grave. The undulating rhythm of their moral antithesis and disappointment over your life that seem to translate into prose the tension developed Mannerist Juni: “My life is not live, but a long dying, my pleasures were pleasures, but a alegrones I bitter and I played, my youth was not young, but I dreamed a dream and I do not know what I saw. Finally, I say that my prosperitywas not prosperity, but a pen and treasure lure of alchemy (1539).

February 11, 2012
doloresdepalabra:

Marinus van Reymerswaele - Two Tax Gatherers [c.1540]

The man on the left is writing out a list of taxes on items such as wine, beer and fish, which have been farmed out to private individuals to collect, as was common in this period. It is one of the numerous versions of this composition, probably painted as a satire on covetousness, which evidently found a ready market in second quarter of the 16th century.
Marinus van Reymerswaele (active 1535–1545) is known mainly for his satirical paintings. The son of a painter, who was recorded in Antwerp in 1475, Marinus is thought to have been trained by a glass painter there in 1509. There are signed paintings by him from 1538 to 1547, but little is known of his life. His banishment from Middleburgh in 1567 is apparently the last known record of him.
[Oil on oak, 92.1 x 74.3 cm]

doloresdepalabra:

Marinus van Reymerswaele - Two Tax Gatherers [c.1540]

The man on the left is writing out a list of taxes on items such as wine, beer and fish, which have been farmed out to private individuals to collect, as was common in this period. It is one of the numerous versions of this composition, probably painted as a satire on covetousness, which evidently found a ready market in second quarter of the 16th century.

Marinus van Reymerswaele (active 1535–1545) is known mainly for his satirical paintings. The son of a painter, who was recorded in Antwerp in 1475, Marinus is thought to have been trained by a glass painter there in 1509. There are signed paintings by him from 1538 to 1547, but little is known of his life. His banishment from Middleburgh in 1567 is apparently the last known record of him.

[Oil on oak, 92.1 x 74.3 cm]

(via thomerama)

February 11, 2012

Portrait of Bindo Altoviti, Raffaello Sanzio 1512-15 Oil on wood, 60 x 44 cm National Gallery of Art, Washington

Portrait of Bindo AltovitiRaffaello Sanzio
1512-15
Oil on wood, 60 x 44 cm
National Gallery of Art, Washington

(Source: mindofnox, via fuckyeahrenaissancehistory)

January 21, 2012
fleshandthedevil:

“Lovers”     “ Herodias’  Revenge (1496)  ”   by  Juan de Flandes

Herodias was Salome’s Mother  
This painting is a wonderful representation of the wonderful  Expression: “Revenge is a Dish Best Served Cold.” 

Courtesy of    Art-And-Dream

fleshandthedevil:

“Lovers”     Herodias’  Revenge (1496)  ”   by  Juan de Flandes

Herodias was Salome’s Mother 

This painting is a wonderful representation of the wonderful  Expression: “Revenge is a Dish Best Served Cold.”

Courtesy of   Art-And-Dream

January 20, 2012
cavetocanvas:

Titian, Portrait of a Woman, c. 1508-10

cavetocanvas:

Titian, Portrait of a Woman, c. 1508-10

January 20, 2012
poboh:

Portrait of a young man,  Pietro Perugino.  Italian Early Renaissance Painter  (ca.1445-1523)

poboh:

Portrait of a young man, Pietro Perugino. Italian Early Renaissance Painter (ca.1445-1523)

(via malebeautyinart)

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