May 6, 2012

(Source: funeral-wreaths)

April 27, 2012
centuriespast:

The CreatorARTIST:Artist Unknown, JapaneseDATE:13th-14th century
The Minneapolis Institute of Arts

I don’t understand where epithets like “the creator”, “the arbiter of death” come from.

centuriespast:

The Creator
ARTIST:Artist Unknown, JapaneseDATE:13th-14th century

The Minneapolis Institute of Arts

I don’t understand where epithets like “the creator”, “the arbiter of death” come from.

March 3, 2012
2headedsnake:

jonfoster.com
Jon Foster

2headedsnake:

jonfoster.com

Jon Foster

February 20, 2012
speciesbarocus:



Bey Samuel Apiario - Pandora (1582).

speciesbarocus:

Bey Samuel Apiario - Pandora (1582).

January 19, 2012
Oedipus solving the riddle of the Theban SphinxOxford Ashmolean Museum - Amphora (5th cent BCE) - Sphinx-Buch

Oedipus solving the riddle of the Theban Sphinx
Oxford Ashmolean Museum - Amphora (5th cent BCE) - Sphinx-Buch

November 30, 2011
a-l-ancien-regime:

Corrado Giaquinto - The Birth of the Sun and the Triumph of Bacchus, between 1762 and 1763, fresco  Palacio Real, Madrid

a-l-ancien-regime:

Corrado Giaquinto - The Birth of the Sun and the Triumph of Bacchus, between 1762 and 1763, fresco  Palacio Real, Madrid

November 30, 2011
"My definition of a devil is a god who has not been recognized. That is to say, it is a power in you to which you have not given expression, and you push it back. And then, like all repressed energy, it builds up and becomes completely dangerous to the position you’re trying to hold."

— Joseph Campbell, An Open Life, p.28-29 (via wine-loving-vagabond)

(Source: lovelavieboheme, via wine-loving-vagabond)

November 15, 2011
Temple of Zeus
The ancient Olympic Games were always held at Olympia in the western Peloponnese. Here, at the heart of the sacred precinct of Zeus, stood the magnificent Temple of Zeus, the chief god of Greek mythology, who was believed to bestow on athletes the prowess and skills that enabled them to excel in sport, and was thus inextricably bound up with the ancient Games. Among the remarkable works of art the temple once housed was the magnificent 13m-high gold and ivory cult statue of Zeus designed by Pheidias, which was one of the Seven Wonders of the ancient world (now destroyed).
The image shown here is taken from the British Museum’s model of ancient Olympia. The real temple took ten years to build and was completed in 456 BC. The people of Elis, who controlled the Olympic Games, financed its construction with spoils taken during hostilities with neighbouring peoples.
The temple gave the appearance of being constructed completely of marble, but in fact it was only the roof that was made of Pentelic marble - from the quarries near Athens - and the rest was made of local conglomerate stone covered in stucco. Its vast columns, over 2m in diameter and over 10m high, now lie toppled where they fell in a massive earthquake in about the sixth century AD. The site had always been prone to earthquakes, and the mystique of the area may have been responsible for the choice of the site as a sacred area - way back in prehistory.
Over the centuries the sanctuary became densely populated with temples, shrines and altars - all standing in close proximity to facilities constructed for the Games, such as the stadium, horse-track, gymnasium and palaistra (where participants could practice wrestling and the long jump).
Link: www.bbc.co.uk/history/ancient/greeks/greek_olympics_galle…

Temple of Zeus


The ancient Olympic Games were always held at Olympia in the western Peloponnese. Here, at the heart of the sacred precinct of Zeus, stood the magnificent Temple of Zeus, the chief god of Greek mythology, who was believed to bestow on athletes the prowess and skills that enabled them to excel in sport, and was thus inextricably bound up with the ancient Games. Among the remarkable works of art the temple once housed was the magnificent 13m-high gold and ivory cult statue of Zeus designed by Pheidias, which was one of the Seven Wonders of the ancient world (now destroyed).

The image shown here is taken from the British Museum’s model of ancient Olympia. The real temple took ten years to build and was completed in 456 BC. The people of Elis, who controlled the Olympic Games, financed its construction with spoils taken during hostilities with neighbouring peoples.

The temple gave the appearance of being constructed completely of marble, but in fact it was only the roof that was made of Pentelic marble - from the quarries near Athens - and the rest was made of local conglomerate stone covered in stucco. Its vast columns, over 2m in diameter and over 10m high, now lie toppled where they fell in a massive earthquake in about the sixth century AD. The site had always been prone to earthquakes, and the mystique of the area may have been responsible for the choice of the site as a sacred area - way back in prehistory.

Over the centuries the sanctuary became densely populated with temples, shrines and altars - all standing in close proximity to facilities constructed for the Games, such as the stadium, horse-track, gymnasium and palaistra (where participants could practice wrestling and the long jump).

Link: www.bbc.co.uk/history/ancient/greeks/greek_olympics_galle…

November 10, 2011
yama-bato:

Antique  Japanese Ivory Okimono Daikoku + Ibizu Wish  Fulfilling Lucky GodsSignature: Sanko. Circa:  early 20th century
link

In Japan, Daikokuten (大黒天), literally, god of great Darkness or Blackness, is one of the Seven Gods of Fortune. Daikokuten evolved from the Hindu deity, Shiva. The name is the Chinese and Japanese equivalent of Mahakala, another name for Shiva.
Daikoku is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called an Uchide no Kozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).
Daikoku’s image was featured on the first Japanese bank note, designed by Edoardo Chiossone.


Ebisu (恵比須, 恵比寿, 夷, 戎), also transliterated Yebisu (ゑびす – see historical kana orthography) or called Hiruko (蛭子) or Kotoshiro-nushi-no-kami (事代主神), is the Japanesegod of fishermen, luck, and workingmen, as well as the guardian of the health of small children. He is one of the Seven Gods of Fortune (七福神, Shichifukujin), and the only one of the seven to originate from Japan.
Ebisu is frequently paired with Daikokuten, another of the Seven Gods of Fortune, in displays of the twin patrons by small shopkeepers. In some versions of the myth they are father and son (or master and apprentice). Also, these two are often joined by Fukurokuju to be the “Three Gods of Good Fortune”.

yama-bato:

Antique Japanese Ivory Okimono
Daikoku + Ibizu
Wish Fulfilling Lucky Gods
Signature: Sanko. Circa: early 20th century

link

In JapanDaikokuten (大黒天), literally, god of great Darkness or Blackness, is one of the Seven Gods of Fortune. Daikokuten evolved from the Hindu deity, Shiva. The name is the Chinese and Japanese equivalent of Mahakala, another name for Shiva.

Daikoku is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called an Uchide no Kozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).

Daikoku’s image was featured on the first Japanese bank note, designed by Edoardo Chiossone.

Ebisu (恵比須, 恵比寿, 夷, 戎), also transliterated Yebisu (ゑびす – see historical kana orthography) or called Hiruko (蛭子) or Kotoshiro-nushi-no-kami (事代主神), is the Japanesegod of fishermen, luck, and workingmen, as well as the guardian of the health of small children. He is one of the Seven Gods of Fortune (七福神, Shichifukujin), and the only one of the seven to originate from Japan.

Ebisu is frequently paired with Daikokuten, another of the Seven Gods of Fortune, in displays of the twin patrons by small shopkeepers. In some versions of the myth they are father and son (or master and apprentice). Also, these two are often joined by Fukurokuju to be the “Three Gods of Good Fortune”.

October 24, 2011
necspenecmetu:

Alexandre-Denis-Abel de Pujol, Ixion Enchained in Tartarus, 1824

necspenecmetu:

Alexandre-Denis-Abel de Pujol, Ixion Enchained in Tartarus, 1824

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