(Source: funeral-wreaths)
The Creator
ARTIST:Artist Unknown, JapaneseDATE:13th-14th centuryThe Minneapolis Institute of Arts
I don’t understand where epithets like “the creator”, “the arbiter of death” come from.
Bey Samuel Apiario - Pandora (1582).
Oedipus solving the riddle of the Theban Sphinx
Oxford Ashmolean Museum - Amphora (5th cent BCE) - Sphinx-Buch
Corrado Giaquinto - The Birth of the Sun and the Triumph of Bacchus, between 1762 and 1763, fresco Palacio Real, Madrid
— Joseph Campbell, An Open Life, p.28-29 (via wine-loving-vagabond)
(Source: lovelavieboheme, via wine-loving-vagabond)
The ancient Olympic Games were always held at Olympia in the western Peloponnese. Here, at the heart of the sacred precinct of Zeus, stood the magnificent Temple of Zeus, the chief god of Greek mythology, who was believed to bestow on athletes the prowess and skills that enabled them to excel in sport, and was thus inextricably bound up with the ancient Games. Among the remarkable works of art the temple once housed was the magnificent 13m-high gold and ivory cult statue of Zeus designed by Pheidias, which was one of the Seven Wonders of the ancient world (now destroyed).
The image shown here is taken from the British Museum’s model of ancient Olympia. The real temple took ten years to build and was completed in 456 BC. The people of Elis, who controlled the Olympic Games, financed its construction with spoils taken during hostilities with neighbouring peoples.
The temple gave the appearance of being constructed completely of marble, but in fact it was only the roof that was made of Pentelic marble - from the quarries near Athens - and the rest was made of local conglomerate stone covered in stucco. Its vast columns, over 2m in diameter and over 10m high, now lie toppled where they fell in a massive earthquake in about the sixth century AD. The site had always been prone to earthquakes, and the mystique of the area may have been responsible for the choice of the site as a sacred area - way back in prehistory.
Over the centuries the sanctuary became densely populated with temples, shrines and altars - all standing in close proximity to facilities constructed for the Games, such as the stadium, horse-track, gymnasium and palaistra (where participants could practice wrestling and the long jump).
Link: www.bbc.co.uk/history/ancient/greeks/greek_olympics_galle…
Antique Japanese Ivory Okimono
Daikoku + Ibizu
Wish Fulfilling Lucky Gods
Signature: Sanko. Circa: early 20th century
In Japan, Daikokuten (大黒天), literally, god of great Darkness or Blackness, is one of the Seven Gods of Fortune. Daikokuten evolved from the Hindu deity, Shiva. The name is the Chinese and Japanese equivalent of Mahakala, another name for Shiva.
Daikoku is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called an Uchide no Kozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).
Daikoku’s image was featured on the first Japanese bank note, designed by Edoardo Chiossone.
Ebisu (恵比須, 恵比寿, 夷, 戎), also transliterated Yebisu (ゑびす – see historical kana orthography) or called Hiruko (蛭子) or Kotoshiro-nushi-no-kami (事代主神), is the Japanesegod of fishermen, luck, and workingmen, as well as the guardian of the health of small children. He is one of the Seven Gods of Fortune (七福神, Shichifukujin), and the only one of the seven to originate from Japan.
Ebisu is frequently paired with Daikokuten, another of the Seven Gods of Fortune, in displays of the twin patrons by small shopkeepers. In some versions of the myth they are father and son (or master and apprentice). Also, these two are often joined by Fukurokuju to be the “Three Gods of Good Fortune”.
In the Woods at Giverny, Blanche Hoschedé at Her Easel with Suzanne Hoschedé Reading, 1887, Claude Monet.
Félix Edouard Vallotton, Femme assise dans un fauteuil
GPOY I’M GLAD MONDAY IS ALMOST OVER
Julia Gukova. Illustration from The Legendary Unicorn, 2004
Wingate Paine
6in:
Ushio Amagatsu
Eleanor Fortescue Brickdale, The Uninvited Guest