The Most Accurate World Map for Three Centuries
Of the ten surviving manuscript copies of the Kitab Rudjdjar (literally “The book of Roger” in Arabic) or Tabula Rogeriana, the earliest surviving copy, preserved in the Bibliothèque nationale de France (MS Arabe 2221), has been dated to about 1300. It is copy of a world map drawn in 1154 by the Arab geographer, Abu Abd Allah Muhammad al-Idrisi al-Qurtubi al-Hasani al-Sabti, or simply El Idrisi, or Muhammad al-Idrisi.
“Al-Idrisi worked on the accompanying commentaries and illustrations of the map for eighteen years at the court of the Norman King Roger II of Sicily. The map, written inArabic, shows the Eurasian continent in its entirety, but only shows the northern part of the African continent. The map is actually oriented with the North at the bottom. It remained the most accurate world map for the next three centuries.
“Roger II of Sicily had his world map drawn on a circle of silver weighing about 400 pounds. The works of Al-Idrisi include Nozhat al-mushtaq fi ikhtiraq al-afaq - a compendium of the geographic and sociological knowledge of his time as well as descriptions of his own travels illustrated with over seventy maps; Kharitat al-`alam al-ma`mour min al-ard (Map of the inhabited regions of the earth) wherein he divided the world into 7 regions, the first extending from the equator to 23 degrees latitude, and the seventh being from 54 to 63 degrees followed by a region uninhabitable due to cold and snow.
On the work of al-Idrisi, S. P. Scott commented:
“The compilation of Edrisi marks an era in the history of science. Not only is its historical information most interesting and valuable, but its descriptions of many parts of the earth are still authoritative. For three centuries geographers copied his maps without alteration. The relative position of the lakes which form the Nile, as delineated in his work, does not differ greatly from that established by Baker and Stanley more than seven hundred years afterwards, and their number is the same. The mechanical genius of the author was not inferior to his erudition. The celestial and terrestrial planisphere of silver which he constructed for his royal patron was nearly six feet in diameter, and weighed four hundred and fifty pounds; upon the one side the zodiac and the constellations, upon the other-divided for convenience into segments-the bodies of land and water, with the respective situations of the various countries, were engraved” (Wikipedia article on Muhammad al-Idrisi, accessed 01-12-2009).
October 17, 2010
The Tabula Peutingeriana (Peutinger table, Peutinger Map) is an itinerarium showing the cursus publicus, the road network in the Roman Empire. The original map of which this is a unique copy was last revised in the fourth or early fifth century.[1] It covers Europe, parts of Asia (Persia, India) and North Africa. The map is named after Konrad Peutinger, a German 15–16th-century humanist and antiquarian. it was made by a monk in Colmar in the thirteenth century. It is aparchment scroll, 0.34 m high and 6.75 m long, assembled from eleven sections, a medieval reproduction of the original scroll. It is a very schematic map: the land masses are distorted, especially in the east-west direction. The map shows many Roman settlements, the roads connecting them, rivers, mountains, forests and seas. The distances between the settlements are also given. The three most important cities of the Roman Empire, Rome,Constantinople and Antioch, are represented with special iconic decoration. Besides the totality of the Empire, the map shows the Near East, India and the Ganges, Sri Lanka (Insula Taprobane), and even an indication of China. It shows a “Temple to Augustus” at Muziris, one of the main ports for trade to the Roman Empire on the southwest coast of India.[3] In the West, the absence of the Iberian Peninsula indicates that a twelfth original section has been lost in the surviving copy; it was reconstructed in 1898 by Konrad Miller. (Wikipedia)
This one for Beril Sözmen
August 11, 2010
missfolly:
Edinburgh, 1588
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In the Woods at Giverny, Blanche Hoschedé at Her Easel with Suzanne Hoschedé Reading, 1887, Claude Monet.
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Félix Edouard Vallotton, Femme assise dans un fauteuil
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GPOY I’M GLAD MONDAY IS ALMOST OVER
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Eleanor Fortescue Brickdale, The Uninvited Guest