March 14, 2012
peira:

Giorgio de Chirico:  Ritratto premonitore di Guillaume Apollinaire (1914) via atlante dell’arte italiana

peira:

Giorgio de ChiricoRitratto premonitore di Guillaume Apollinaire (1914) via atlante dell’arte italiana

January 13, 2012
cavetocanvas:

Giorgio de Chirico, Perspective With Toys, c. 1915

cavetocanvas:

Giorgio de Chirico, Perspective With Toys, c. 1915

August 24, 2011
Alberto Savinio (1891-1952) Les Anges Batailleurs 1930(de Chirico’s brother)

Alberto Savinio (1891-1952) 
Les Anges Batailleurs
1930

(de Chirico’s brother)

April 2, 2011
Gaeatano Previati. The car of the sun…
The modern painter de Chirico liked upon his first arrival in Italy..

Gaeatano Previati. The car of the sun…

The modern painter de Chirico liked upon his first arrival in Italy..

March 29, 2011
 
Gladiator
Giorgio de Chirico (Italian, born Greece. 1888-1978)
(c. 1929). Lithograph, composition: 16 1/8 x 12 5/8” (41 x 32.1 cm)

 

Gladiator

Giorgio de Chirico (Italian, born Greece. 1888-1978)

(c. 1929). Lithograph, composition: 16 1/8 x 12 5/8” (41 x 32.1 cm)

March 29, 2011
“But when  de Chirico later “gave up the fight”  around the age of 40, refusing any longer into the depths of abyss, his powers slowly began to diminish, replaced by a psychological tranquility that petulantly refused to make room for any realistic memory of his past”.(Paolo Balducci, The Metaphysical Period, 1997, p. 17)

I guess the above “elongated nude” would be one of the earlier paintings “without inspiration”, whereas say “the gladiators” series of the years 1927-29 would still be on this side of the divide… Apparently Balducci later wrote another book on that series, don’t know if it has been translated into English or whether I can get a hold of a copy.

“But when  de Chirico later “gave up the fight”  around the age of 40, refusing any longer into the depths of abyss, his powers slowly began to diminish, replaced by a psychological tranquility that petulantly refused to make room for any realistic memory of his past”.(Paolo Balducci, The Metaphysical Period, 1997, p. 17)

I guess the above “elongated nude” would be one of the earlier paintings “without inspiration”, whereas say “the gladiators” series of the years 1927-29 would still be on this side of the divide… Apparently Balducci later wrote another book on that series, don’t know if it has been translated into English or whether I can get a hold of a copy.

March 26, 2011

La boheme de Chirico, place d’Italie
Antonio Recalcati İs an Italian painter born in Milan in 1938,

La boheme de Chirico, place d’Italie

Antonio Recalcati İs an Italian painter born in Milan in 1938,

March 26, 2011

Jacquet, Alain
Date of birth and death: 1939-2008
Nationality: French
Uploaded artworks: 10About the artist:
Jacquet was born in Neuilly-sur-Seine. Though he studied architecture at École des Beaux-Arts as a painter he was an autodidact. He was a French artist representative of the American Pop Art movement. Camouflage Botticelli (Birt of Venus) (1963-64) is a famous work of his. In a series of camouflage paintings, he often used motifs from older, very famous paintings, such as in this case from the painting The Birth of Venus by Sandro Botticelli. Jacquet also borrowed the form of Manet’s Luncheon on the Grass, which itself had referred to the 1515 engraving The Judgment of Paris by Raimondi.Jacquet lived in New York and Paris and taught at the École Nationale Supérieure des Arts Décoratifs. He was married (1992) to Sophie Matisse, great-granddaughter of the French Fauvist artist Henri Matisse. Jacguet died of esophageal cancer in Manhattan

Jacquet, Alain

Date of birth and death: 1939-2008

Nationality: French

Uploaded artworks: 10About the artist:

Jacquet was born in Neuilly-sur-Seine. Though he studied architecture at École des Beaux-Arts as a painter he was an autodidact. He was a French artist representative of the American Pop Art movement. Camouflage Botticelli (Birt of Venus) (1963-64) is a famous work of his. In a series of camouflage paintings, he often used motifs from older, very famous paintings, such as in this case from the painting The Birth of Venus by Sandro Botticelli. Jacquet also borrowed the form of Manet’s Luncheon on the Grass, which itself had referred to the 1515 engraving The Judgment of Paris by Raimondi.

Jacquet lived in New York and Paris and taught at the École Nationale Supérieure des Arts Décoratifs. He was married (1992) to Sophie Matisse, great-granddaughter of the French Fauvist artist Henri Matisse. Jacguet died of esophageal cancer in Manhattan

March 24, 2011
i12bent:

Man Ray of course placed his friend Magritte on his Surrealist Chessboard in 1934 - a mosaic of portraits Man Ray had done of the members of the movement. From top left-hand corner they are: Breton, Ernst, Dalí, Arp, Tanguy, Char, Crevel, Eluard, De Chirico, Giacometti, Tzara, Picasso, Magritte, Brauner, Peret, Rosey, Miro, Mesens, Hugnet, Man Ray himself…

i12bent:

Man Ray of course placed his friend Magritte on his Surrealist Chessboard in 1934 - a mosaic of portraits Man Ray had done of the members of the movement. From top left-hand corner they are: Breton, Ernst, Dalí, Arp, Tanguy, Char, Crevel, Eluard, De Chirico, Giacometti, Tzara, Picasso, Magritte, Brauner, Peret, Rosey, Miro, Mesens, Hugnet, Man Ray himself…

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