Kikugawa Eizan
Japanese (1787 - 1867)
Courtesans Matsushima of the Matsubaya and Yashio of the Ogiya…, Late Edo period, c. early-mid 19th century
Edo period, Late, 1789-1868
One of two prints from an ukiyo-e woodblock printed ôban triptych; ink and color on paper
Signed: (printed) Kikugawa Eizan hitsu
Creation Place: Japan
Harvard Art Museums/Arthur M. Sackler Museum
The Window, Pierre Bonnard. French Nabi Painter (1867-1947)
John Singer Sargent (1856 – 1925) - The Black Brookby, c. 1908
John Brown
Portrait of William Kerr (1763-1824), Earl of Ancram, 6th Marquess of Lothian
Agnew’s, London
(via mermanonfire)
| Frederic Leighton on James McNeil Whistler: | My dear Whistler, you leave your pictures in such a sketchy, unfinished state. Why don’t you ever finish them? |
| James McNeil Whistler on Frederic Leighton: | My dear Leighton, why do you ever begin yours? |
~ The Advertiser, Adelaide, South Australia; Monday, October 5, 1931
via Trove
(click to enlarge)
(via my-ear-trumpet)
Takato Yamamoto. Huge scan from Yaso,Sense of beauty
William HOGARTH (1697-1764)
Analysis of Beauty, Plate I
1753
Etching
Ithaca, New York: Herbert F. Johnson Museum
Marilyn Monroe in her favorite photograph of herself, taken by Cecil Beaton at the Ambassador Hotel, New York City, 1956, via NY Review of Books
In the Woods at Giverny, Blanche Hoschedé at Her Easel with Suzanne Hoschedé Reading, 1887, Claude Monet.
Félix Edouard Vallotton, Femme assise dans un fauteuil
GPOY I’M GLAD MONDAY IS ALMOST OVER
Julia Gukova. Illustration from The Legendary Unicorn, 2004
Wingate Paine
6in:
Ushio Amagatsu
Eleanor Fortescue Brickdale, The Uninvited Guest
